The scheduled radio broadcast for 13th October will not be happening cos we are going to watch Wales V Andora.
Watch this space for update on next show
Expect a Balkan connection. Expect some football related stuff. Expect the usual unexpected stuff.
Tune in to www.dapperfm.co.uk from 8pm till 10pm (UK time) on Tuesday 6th October.
As usual, a big shout out to our sponsors, Rhondda Cynon Taff UNISON, the union for public sector groovers.
If things come together properly we will record it and rebroadcast it on our scheduled day of 13th October.
Now then – anyone got any reccomendations of some Bosnian music?
Thee Faction have worked out how to write songs with names like GDH Cole dropped in casually, and still be eminently danceable. Not since the Redskins in the 1980s has unashamedly socialist music been so damn cool.
Taking a leaf out of the Dr Feelgood book of R’ n B, Thee Faction are a tour de force of rock and roll that gets your feet shufflin’, your hips gyratin’ and your head a thinkin’. Being angry has never been so much fun. Continue reading THEE FACTION: Reading Writing Revolution (2015)
Andrew Neiman (is a student that dreams of being the best jazz drummer in the world. Terence Fletcher (Miles Teller) is a teacher from the Gunny Heartman school of educators – Full Metal Jacket with drums.
Neiman is prepared to sacrifice his all to be the next Buddy Rich, including his girlfriend and the affection of his family. At one point he even risks his life to make sure he is on stage with the band. Continue reading WHIPLASH (2014)
PLAY LIST AS FOLLOWS
1. Greetings: BY HALF PINT
2. Double trouble: BY PUBLIC IMAGE LIMITED
3. Rent strike: BY THEE FACTION
4. The committee: BY TASK NUMBER ONE
5. I miss you: BY TINY TOPSY
6. I do it: BY DERRICK MORGAN
7. Bad day for BoJo: BY STEVE WHITE AND THE PROTEST FAMILY
8. Little seed: BY THE DEFEKTERS
9. Suspicion: BY THE ORIGINALS
10. Keys to your heart: BY THE 101ERS
11. Pearls and swine: BY EXIT INTERNATIONAL
12. Pig valentine: BY SIXTY FOOT DOLLS
13. Pink panther theme: BY LUDOVIC NAVARRE
14. A hard day’s night: BY PETER SELLERS
15. Itchy dub: BY THE SPORADICS
16. Run tings: BY INNER TERRESTRIALS
17. Water under the bridge: BY DODGY
18. Revolutionary love song: BY UK DECAY
19. You’re not gagging me tony benn remix: BY THE HURRIERS
20. I’ll save your back: BY RANDOM HAND
21. Finger mash: BY LEE PERRY
22. Back inside: BY CAKEHOLE PRESLEY
23. X Ray visions: BY CLUTCH
24. I am the virus: BY KILLING JOKE
25. You’re gonna love my baby: BY BARBARA McNAIR
26. I know she loves me: BY WILLIE BACHELOR
27. Life sentence: BY THATCHER’S BUSH
28. Cool down: BY DUBABUSE
To listen to previous shows, go to mixcloud
First broadcast on 29th September 2015 on community radio station www.dapperfm.co.uk
Show sponsored by Rhondda Cynon Taf UNISON, the union for public sector groovers.
The We Shall Overcome Weekend, takes place over the weekend of 2nd 3rd and 4th of October 2015. There will be cultural events happening all over the UK to both to simply celebrate our culture and to shout from the roof tops that we are opposed to austerity.
Never ones to miss out on a rebellious knees up, Peppermint Iguana Radio will be showcasing some of the bands playing up and down the country on our next show on 29th September. Continue reading NEXT IGUANA RADIO SHOW – 29TH SEPTEMBER 2015
FROM THE WE SHALL OVERCOME WEBSITE: “Every weekend we have an explosion of music and culture. It’s something to be proud of – Gigs, open mics, poetry, stand up. It makes our communities vibrant and strong. But we also know that in our communities people are being hit hard by homelessness and poverty. There is a human cost to the politics of austerity. Continue reading WE SHALL OVERCOME WEEKEND – GROOVE AGAINST AUSTERITY
1234 is a tale of young love disguised as a film about a young indie band dreaming of making it big – but it might possibly be the other way around. Bespectacled guitarist Stevie (Ian Bonar) together with his mate Neil (Matthew Baynton) attempt to break out of the hum drum existence of working in a call centre by forming a band. First they recruit the slightly older and more experienced Billy (Kieran Bew) and slightly scatty bassist Emily (Lyndsey Marshal) – who moonlights as an artist, making sculptures out of hair and creating maps based on a day following strangers around.
The band rehearse in what appears to be a church hall, play gigs in pubs, lay down a demo and send it off to every record company they can think of – then build up a collection of rejection letters from said record companies. Continue reading 1,2,3,4
The basic plot of A Bit Of Tom Jones is based around the flims idea of a guy buying Tom Jones cock in a pub and spending the rest of the film trying to sell it to rich perverts that collect celebrity body parts. (Which is, of course, not unusual). It is a cross between Twin Town, Satellite City and a Carry On movie. On times the plot is – well – just plain silly, but there are a considerable number of scenes that produce all out belly laughs. Porn cinemas, brothels run by grannys in the middle of a valley terrace, police stations, helicopters and dumper trucks all some how fit into the story.
Featuring everyone’s favourite dirty granny, Margaret John (Gavin and Stacy, High Hopes), Denise Welch (Waterloo Road, Coronation Street), Johnny Owen (Shameless and a fans view of the Cardiff City in the FA Cup) and the legendary Geno Washington, it is a reminder of how much talent is about in Wales at the moment. Continue reading A BIT OF TOM JONES
Ginger Baker is often cited as the best rock drummer in history. This a description that sends Mr Baker into fits of rage; he considers rock legends like John Bonnham and Keith Moon with contempt – not fit to lace his shoes – because he is not a rock drummer, he is a jazz drummer.
Beware of Mr Baker is a well constructed documentary tells the story of the rollercoaster ride that Baker has ridden for the last seventy plus years. Warts and all. And boy are there some warts. Continue reading BEWARE OF MR BAKER
Compiled from 16mm footage that had been lying undiscovered in the cellar of Swedish Television for 30 years, this film documents the US Black Power movement from 67 to 75. Broken neatly into a chapter for each year, it tells us chronologically of the struggle for civil rights in a society that claimed to be all for equality and freedom, but clearly was not.
We get footage of Malcom X, Martin Luther King, Stokely Carmichael, Eldridge Cleaver, Bobby Seale, and Angela Davis, speaking from platforms, giving interviews and just hanging around; together with ‘ordinary’ black people discussing the struggle to just get by in ‘the land of freedom of opportunity’. Continue reading BLACK POWER MIX TAPE 1967-1975
“Banksy is a sell out”. So reads the graffiti scrawled across the wall. Is this true? Well, he has certainly progressed from being an unknown street artist to an internationally renowned (all be it still anonymous) street artist that can put on sell out exhibitions, shift books by the shed load and – now – make his own films.
Exit Through the Gift Shop is, on the face of it, a documentary made by Banksy about a guy that tried to make a film about Banksy but messed it up so Banksy made a film about him. There is no point getting too bogged down in the plot because to be honest, it is difficult to tell if it is a genuine documentary or if it is another one of Banksy’s magnificent pranks. Continue reading EXIT THROUGH THE GIFT SHOP
This is the true story of two Scottish rappers, Silibil ‘n’ Brains, tired of the music industry not taking them seriously, who move to London, put on fake American accent, pretend to be from California and dupe the entire music industry into taking them on. On the face of it an amusing, if not entirely original story. But it soon develops into something very deep and thought provoking.
We start with the boys gigging around their home town of Dundee and trying to get signed. No label was interested. Then, for a laugh, they made some phone calls with an American accent and told people they were from California. Quicker than you can say “apple pie” they are signed to Sony records, playing gigs at Brixton Academy and blowing the massive advance they had been given on booze and women. Continue reading THE GREAT HIP HOP HOAX
Those not familiar with John Otway – which let’s face it, is most of the population – could be forgiven for thinking this is a spoof documentary in the vein of Spinal Tap. Such is the nature of the crazy, wacky, bonkers, over the top, rock and roll extravagance that bounces around inside the head of one of rock’s greatest treasures.
But it is not a spoof, this is the story of a uniquely British eccentric rock and roll legend that has spent the last forty years reaching for the stars, not being put off by what anyone else thinks and, most importantly, not being put off by failure. Continue reading OTWAY: THE MOVIE
The play list was as follows
1. Push through the silence: BY LOVE BAZZAR
2. One hundred days and one hundred nights: BY SHARON JONES AND THE DAP KINGS
3. One love: BY BOB MARLEY AND THE WAILERS
4. Psychotic reaction: BY THE COUNT FIVE
5. Re do: BY MODERN BASEBALL
6. Out with the dogs: BY THE SICK LIVERS
7. Ninety nine: BY SLAVES
8. What have we got: BY SHAM SIXTY NINE
9. Pogo dancing: BY CHRIS SPEDDING AND THE VIBRATORS
10. Ambition : BY SUBWAY SECT
11. Love potion number nine: BY THE CLOVERS
12. Two sevens clash: BY CULTURE
13. Nasty: BY THE DAMNED
14. Where did the money go: BY VICTIMIZE
15. Ninety six tears : BY BIG MAYBELLE
16. Ninety six degrees in the shade: BY THIRD WORLD
17. TV: BY INNER TERRESTRIALS
18. Harthouse reels: BY TARANTISM
19. Your number is my number: BY NINE NINE NINE
20. PC nineteen eighty four: CRISIS
21. Impossible: BY SPANNER
22. Broken Britain: BY THE SPORADICS
23. I’ve got a date: BY ALTON ELLIS
24. One in a million: BY MAXIME BROWN
25. Alcohol kiss: BY TRAMPOLINE
26. Dr benway: BY HEADJAM
27. Away from the numbers: BY THE JAM
28. Things are getting better: BY TWENTY FIFTH OF MAY
You can listen to other recent shows by going to our mix cloud page.
We would like to thank all those that have supported us over the last 100 shows, particularly the crew at www.dapperfm.co.uk and our sponsors, Rhondda Cynon Taff UNISON, the union for public sector groovers.
Because this is show 100, john is opting for songs and bands with numbers in them, like Sham 69, 25th May, Love Potion number 9 etc. Continue reading Peppermint Iguana Radio Show 100 – 15th September 2015
Compiled in just seven days, by music journalist David Owens, this mixes the cream of the current crop of Wales’ mainstream rock bands, some of the best of the upcoming bands and a sprinkling of previously unreleased and live tracks that have not seen the light of day until now. Continue reading REACH OUT: WELSH ROCK FOR REFUGEES
Andy Johnson, Guitarist with both Victimize and The Shamones posted the following on Facebook Yesterday….
“On behalf of his daughter, Ella and sons, Richard & Christian, it is with so much sadness that I announce that my best friend, Bryn Merrick, passed away, peacefully, this morning, after a long battle with cancer, at Llandough hospital near Cardiff. Continue reading BRYN MERRICK GOES TO THE GREAT GIG IN THE SKY
They kick off with a song about fashion – and giving a nod to the film Full Metal Jacket (This is my Denim), then rattle through songs about girls (You Make Me Wet), songs about drinking (One Man Stag Do) and sometimes about girls and drinking (I Wanna be a Jager Girl). Continue reading THE SICK LIVERS: MID LIVER CRISIS
Saturday was the busiest day of a busy Velvet Coalmine schedule, with film screenings, poetry readings and Q+A sessions taking place in town to compliment the packed list of bands playing all over town as part of the ‘Fringe’. Continue reading Slaves @ Velvet Coalmine 2015
Twenty years ago Blackwood Miners Institute was an essential stop off for any touring band looking to make a name for themselves. It was also second home to Newport’s Dub War, who tore the roof off the venue several times in their short but explosive existence.
Fitting then, as the Velvet Coalmine crew try to reinstate Blackwood’s place on the national live music circuit, that Dub War, playing only their third gig in eighteen years, should step up to the plate. Continue reading Dub War @ Velvet Coalmine 2015
You can listen to it again via our Mixcloud cloudcast above. If it does not inspire you to get ya best moshing trousers on and head to Blackwood, you need to check your pulse.
The play list is below. To find out who else will be landing in the ‘wood go to – www.velvetcoalmine.com – or if you are reading this after September the 6th, in the immortal words of Jim Bowen ‘let’s have a look at what you could have been doing’.
1. Anarchy in the UK: BY THE SEX PISTOLS
2. Rub a dub style: BY RANKING TREVOR
3. Get your goo on: BY HOUDINI DAX
4. Give it to me: BY THE JOHNSTOWN FLOOD
5. Exus trek: BY LUTHER INGRA ORCHESTRA
6. Let’s have a ball: BY CECIL DAVIES
7. Strike it: BY DUB WAR
8. Missiles: BY COMMANDER BOOM
9. Sockets: BY SLAVES
10. Right time: BY THE MIGHTY DIAMONDS
11. Hailey unlikely: BY STEEL LEG V ELECTRIC DREAD
12. Claire voyant: BY PIZZA TRAMP
13. Country song: BY HAPPY MONDAYS
14. Live tonight: BY SLEAFORD MODS
15. Dog scratched ear: BY HENRY’S FUNERAL SHOE
16. Vallium: BY BAD SAM
17. Hook up girl: BY VIV ALBERTINE
18. Rich kids: BY THE RICH KIDS
19. Give youth a chance: BY THE RUTS
20. Repeat (UK): BY THE MANIC STREET PREACHERS
21. Knocked out: BY JIMMY LIGGINS
22. Put my shoes on: BY MARY ANN FISHER
23. Plateau: BY THE MEAT PUPPETS
24. Everything in place: BY THE NOSES
25. His majesty is coming: BY THE IN CROWD.
26. Race for the prize: BY THE FLAMING LIPS
27. Headlights: BY THE UNDIVIDED
28. The end (apocalypse now remix): BY THE DOORS
The festival takes place in various venues throughout Blackwood, South Wales and will feature live music, films, literary stuff and much more.
You can expect our play list to include Dub War, Slaves, Henry’s Funeral Shoe, Commander Boom, The Noses, Meat Puppets, Don Letts and much more.
To listen live log on to TUNE IN from 8pm
The Peppermint Iguana Radio Show is sponsored by Rhondda Cynon Taff UNISON, the union for public sector groovers.
Highlights for the 2015 festival, which takes place between 1st and 6th September, include gigs with Dub War, Slaves, Commander Boom, Houdini Dax, The Johnstown Flood, the Noses and a massive coup in the shape of US legends The Meat Puppets playing their first ever Welsh gig. There will also be film screenings with Don Letts and Viv Albertine will be doing a Q+A.
We had hoped to get Iain Richards, the driving force behind the event, to join us on the radio show, but it clashes with the opening of the festival (some people need to get their priorities right). So instead we headed to the pub for a chat about the 2015 festival. We picked early evening on a quiet night in a quiet pub? What could possibly go wrong? Well a birthday party for a start. Anyway — here is an audio recording of the chat warts and all.
To mark our 20th anniversary, we have dumped the old website and have started rebuilding from the floor up with this new searchable site. In the next few weeks we will be uploading all the stuff from the old site and uploading a load of new material. Watch this space.
But this, their second album, is anything but crusty brew crew shouty nonsense. They knock out some of the finest ska-punk-dub you will find on any stage anywhere. The rhythm section produce dubtastic bass lines and driving, pounding drum beats. Layered over the top we have guitar that floats between sharp skanking chops and hard melodic riffs.
If that were not enough, the vocals have a clarity few punk bands even attempt, let alone achieve. The lyrics tackle issues few bands could take on without resorting to sloganeering or just sounding pompous. No pomposity here though, as singer Shaun has a knack for taking a serious subject and turning it into poetry, but still managing to keep it danceable.
The now sadly defunct independent news media outlet ‘Schnews’ gets a song named after it to make sure we do not forget it – as if we could. The famous strap line “If you’re not pissed off, you’re not paying attention”, says it all, but the point is slammed home with lines like: “The currency they pedal here, propaganda, lies and fear. It’s been the same from year to year, now here’s the latest news, question everything they do, turn your TV off today”.
‘VAT’ (Value Added Terror) talks of the big brother tactic of making you fear your neighbours, ‘Broken Britain’ references the dumping of working people on the scrap heap and ‘Conflict’ reminds us that the capitalist system thrives on war and – erm – conflict.
‘Itchy Dub’, as the name suggests, drops the pace a little and gets dubby. It talks of broken democracy and profit making from the services we rely on, but hints that the time of reckoning might not be far away. “You disregard and disrespect the people of this land, what goes around will surely come around, you try to take our dignity and kick us to the floor, then wonder why we burn your buildings down”.
‘Used to be a punk’, challenges the idea that you can be an ex-punk. With punk being an attitude, either you have got the attitude or you don’t. If you don’t, you were just a fashion victim who didn’t really get it anyway.
‘Debt Crisis’ is about what it says on the tin, whilst ‘National Lies’ talks of the scapegoating of Johnny foreigner that so often is used by the right during an economic downturn. “Our children don’t see colour, they just want to play with each other, hate is something learned, its time the tide was turned.” As the lyrics to ‘lies’ unfold we get some of the heaviest guitaring on the album mixing with some of the dubbiest moments, perhaps giving us the perfect introduction to the band for the uninitiated.
We return to the subject of reclaiming our country with ‘Tear down the law’, just before slowing down slightly and suggesting the positivity of ‘Love’ and hope may be the answer in the long run.
Winding up the album we have ‘Poem for the fallen’, a tribute to Crispin Baker, festival legend, who was taken from us earlier this year. It is basically a poem with minimal acoustic guitar and the sound of a crackling fire in the back ground.
And then it’s gone. Twelve tracks is not enough, you want more. But then again, if this were a triple album, you would still want more. At least you have the beautiful packaging and lyric booklet treasure and return to time and again while we wait for the third album (you can have minutes of endless fun looking for the deliberate spelling mistake).
Clearly the band have been influenced by a few notable big players on the ‘anarcho-ska-punk-dub’ scene, but it would be churlish to reference them here, cos these guys are no imitators. As Picasso once said, “good artists copy, great artists steal”, and these thieving bastards have stolen the crown jewels, melted them into something of their own and can stand proudly on stage next to the best of them.